no the implications that David made recordings about eskew that we never heard doesn’t make me go insane thanks for asking
Obra Baitogogo de Henrique Oliveira
The I love you lighthouse, by
Juergen Roth
The I Love You lighthouse is perched facing out into the Atlantic and was build 1855 and sends the first light 1860, on the exposed Minot’s Ledge — named after George Minot, an 18th-Century Boston Merchant who lost a valuable ship on the rocks prior to construction of the lighthouse. The ledge is part of the Cohasset Rocks, off Massachusetts, USA.
When, in 1894, a new flashing lantern was installed in the 34-year-old lighthouse it had a 1-4-3 sequence and very soon the number sequence was taken to represent I Love You (I /1 flash, Love /4 flashes, You /3 flashes). Over the years this simple lighthouse code has been a comfort to sailors from the area, their sweethearts and families.
so fond of characters who haunt their stories, who exist without actually existing at all. when a character is long gone, but persists in the actions and words of all the characters they have left behind. when everything to come unfolds because of them. when they are both dead and the beating heart at the very center of the narrative... that’s the stuff 💗__💗
it’s like... all of this happened because of you, and you weren’t even around to see it
From: Luciano Caruso, Il margine luminoso. Omaggio a Paul Klee, (handmade book consisting of 22 pages with original interventions in mixed media), 1989-1990 [Fondazione Bonotto, Molvena (VI). © Luciano Caruso]
『Esoragoto』 English translation version
This cartoon is what I drew in 2013.
English translation is Laika (http://laikagohome.tumblr.com/) me be done.
I am grateful furiously to Laika.
Laika’s, Thank you very much.
エソラゴト 英訳バージョン
この漫画は私が2013年に描いたものです。
英訳はLaika（http://laikagohome.tumblr.com/）さんがおこなってくれました。
Laikaさんに猛烈に感謝しています。
Laikaさん、本当にありがとうございます。
my homepage
Ann Hamilton’s tower, Oliver Ranch Foundation, Geyserville, California,
Ann Hamilton’s design is a monumental cylindrical sculpture in the landscape, and it is the visual artist’s first permanent installation. It is an extraordinary and magical performance space with sonorous acoustics.
Roughly 70 feet tall, with a foundation of equal height extending underground, the building was inspired by a centuries-old well that contained double helix steps. Here the twin staircases, each consisting of 128 steps, serve as “stage” and “seating,” intertwining performers and audience without letting them connect.
Ann Hamilton with Jensen Architects